Performing Repertoire of Matthew Bengtson

My piano solo, concerto and chamber music repertoire is shown below, arranged by style.

You can use the search function to find a particular composer, word, or composition.

Early Music and Baroque Period

J.S. Bach (1685-1750)

English Suite no. 1 in A major, BWV 806 (perf. ’19)
Prelude – Allemande – Courante I – Courante II with doubles – Sarabande – Bourée I+II en Rondeau – Gigue

English Suite no. 5 in E minor, BWV 810 (perf. ’96)
Prelude – Allemande – Courante – Sarabande – Passepied I+II en Rondeau – Gigue

French Suite no. 1 in D minor, BWV 812 (perf. ’15, ’16)
Allemande – Courante – Sarabande – Minuet I and II – Gigue

French Suite no. 2 in C minor, BWV 813
Allemande – Courante – Sarabande – Air – Minuet – Gigue

French Suite no. 5 in G major, BWV 816
Allemande – Courante – Sarabande – Gavotte – Bourée – Loure – Gigue

Partita no. 5 in G major, BWV 829 (perf. ’02, ’04)
Praeambulum – Allemande – Corrente – Sarabande – Tempo di Minuetta – Passepied – Gigue

Overture in the French Manner, in B minor, BWV 831 (from Klavier Übung book 2) (perf. ’08)
Overture – Courante – Gavotte I+II en rondeau – Passepied I+II en Rondeau – Sarabande – Bourée I+II en Rondeau – Gigue – Echo

Preludes and Fugues from the Well-Tempered Clavier, Book I (complete, perf. ’12)
no. 1 in C major, BWV 846 (perf. ’96, ’12, ’13)
no. 2 in C minor, BWV 847 (perf. ’96, ’12, ’13)
no. 3 in C# major, BWV 848 (perf. ’96, ’13)
no. 4 in C# minor, BWV 849 (perf. ’94, ’96, ’03, ’13)
no. 5 in D major, BWV 850 (perf. ’96, ’13)
no. 6 in D minor, BWV 851 (perf. ’96)
no. 7 in E-flat, BWV 852 (perf. ’91, ’96, ’13, ’14)
no. 8 in E-flat minor, BWV 853 (perf. ’96, ’13)
no. 9 in E Major, BWV 854 (perf. ’97, ’14, ’15)
no. 10 in E minor, BWV 855 (perf. ’12, ’13, ’14)
no. 11 in F Major, BWV 856 (perf. ’12, ’13)
no. 12 in F minor, BWV 857 (perf. ’05, ’12, ’13)
no. 13 in F# Major, BWV 858 (perf. ’12, ’13, ’14)
no. 14 in F# minor, BWV 859 (perf. ’12, ’13, ’14, ’15)
no. 15 in G Major, BWV 860 (perf. ’12, ’13, ’14, ’19, ’22)
no. 16 in G minor, BWV 861 (perf. ’12, ’13)
no. 17 in A-flat major, BWV 862 (perf. ’12, ’13)
no. 18 in G# minor, BWV 863 (perf. ’97, ’12)
no. 19 in A major, BWV 864 (perf. ’96, ’12, ’13, ’14)
no. 20 in A minor, BWV 865 (perf. ’97, ’12, ’13, ’14)
no. 21 in B-flat major, BWV 866 (perf. ’12, ’13)
no. 22 in B-flat minor, BWV 867 (perf. ’12, ’13, ’14, ’22)
no. 23 in B major, BWV 868 (perf. ’12, ’15)
no. 24 in B minor, BWV 869 (perf. ’12, ’13)

Preludes and Fugues from the Well-Tempered Clavier, Book II
no. 4 in C# minor, BWV 873 (perf. ’15)
no. 8 in D# minor, BWV 877

no. 9 in E major, BWV 878
no. 10 in E minor, BWV 879
no. 12 in F minor, BWV 883 (perf. ’22)

no. 13 in F# major, BWV 884 (perf. ’15)
no. 14 in F# minor, BWV 883 (perf. ’10)

no. 16 in G minor, BWV 885 (perf. ’21)

no. 19 in A major, BWV 888 (perf. ’10)
no. 20 in A minor, BWV 889 (perf. ’10)

Chromatic Fantasy and Fugue in D minor, BWV 903 (perf. ’06)

Goldberg Variations, BWV 988 (Klavier Übung book 4) (perf. ’05, ’07, ’09, ’12)

Sonata for harpsichord and violin in C minor, BWV 1017 (perf. ’15)
Largo – Allegro – Adagio – Allegro

Sonata for harpsichord and viola da gamba in D major, BWV 1028 (perf. ’04, ’15)
Adagio – Allegro – Andante – Allegro

Sonata for harpsichord and viola da gamba in G minor, BWV 1029 (perf. ’14)
Vivace – Adagio – Allegro

Concerto for harpsichord and strings in D minor, BWV 1052 (perf. ’99)
Allegro – Adagio – Allegro

Concerto for four keyboards in A minor, BWV 1065 (perf. ’18)
Allegro – Largo – Allegro

Dietrich Buxtehude (1637-1707)

Trio Sonata in A minor, op. 11 no. 3 (perf. ’06)

Willam Byrd (1543-1623)

Variations on Jhon come kisse me now (perf. ’06)

The First Pavian and the Galliard to the Same (from My Ladye Nevell’s Book) (perf. ’08, ’23)

The Nynthe Pavian “The Passinge Mesures” and the Galliarde (perf. ’14)

Praeludium to the Fancie, BK12. Fantasia, BK13. (from the Fitzwilliam Virginal Book) (perf. ’08, ’14)

Gianpietro del Buono (1610-1657)

Stravagante, e per il cimbalo cromatico (perf. ’19)

Charles Dieupart (ca. 1667-1740)

Six Suittes, no. 1 in A major (perf.’19)
Ouverture – Allemande – Courante – Sarabande – Gavotte – Minuet – Gigue

George Frederick Handel (1685-1759)

Suite no. 5 in E major
Prelude – Allemande – Courante – Air with Variations “Harmonious Blacksmith”

Suite no. 6 in F-sharp minor (perf. ’06)
Prelude – Largo – Allegro – Gigue

Ascanio Mayone (1570-1627)

Toccata quinta, per il cimbalo cromatico (perf. ’19)

Jean-Philippe Rameau (1683-1764)

Pièces de Clavecin, Suite in D major/minor (selections)
Les soupirs (perf. ’06)
La joyeuse (perf. ’06)
Entretien des Muses (perf.’06)
Les tourbillons (perf. ’04, ’06) Les cyclopes (perf. ’06)

Nouvelles Suites de Pièces de Clavecin, Suite in A minor (selections)
Allemande (perf. ’98)
Courante (perf. ’98)
Gavotte avec Doubles (perf. ’98, ’99, ’03, ’04)

La Livri (perf. ’04)
L’Enharmonique (perf. ’04)

Domenico Scarlatti (1685-1757)

Sonata K. 52 in D minor (perf. ’04)
Sonata K. 54 in A minor (perf. ’93, ’15)
Sonata K. 57 in B-flat (perf. ’04)
Sonata K. 84 in C minor (perf. ’04)
Sonata K. 96 in D major (perf. ’04, ’15)
Sonata K. 113 in A major (perf. ’93)
Sonata K. 215 in E major (perf. ’08)
Sonata K. 216 in E major
Sonata K. 253 in E-flat (perf. ’08, ’15)
Sonata K. 420 in C (perf. ’08)
Sonata K. 487 in C (perf. ’08)

John Christopher Smith (1712-1795)

Lesson II in C minor
Andante allegro – Allegro – Allegro

Jan Pieterszoon Sweelinck (1562-1621)

Capriccio in A minor (perf. ’14)
Variations on “Soll es sein” (perf. ’14)

Giovanni Maria Trabaci (1575-1647)

Consonanze stravaganti (perf. ’19)

Domenico Zipoli (1688-1726)

Suite in G minor
Allemande – Courante – Sarabande – Gigue

Partite in A minor

Classical Period

Carl Philipp Emanuel Bach (1714-1788)

‘Prussian’ Sonata in B-flat Wq. 48/1, H. 24
I. Poco allegro II. Andante III. Vivace

‘Prussian’ Sonata in E major Wq. 48/3, H. 26 (perf. ’23, ’24)
I. Poco allegro II. Adagio III. Presto

‘Württemberg’ Sonata in B-flat Wq. 49/4, H. 33 (perf. ’20)
I. Un poco allegro II. Andante III. Allegro

Selections from Clavier-Sonaten und freie Fantasien nebst einegen Rondos fürs Fortepiano für Kenner und Liebhaber:

Rondo in E major from Book 3, Wq 57/1 (perf. 22), Rondo in C minor from Book 5, Wq 59/4 (perf. ’17, ’18), Fantasia II in C major from Book 5, Wq 59/6 (perf. ’10)

Quartet in G Wq. 95 H. 539 (perf. ’19)
I. Allegretto II. Adagio III. Presto

Johann Christoph Friedrich Bach (1732-1795)

Sonata for four hands in C major (perf. ’19)
I. Allegro con brio II. Andante III. Rondo. Allegretto

Wilhelm Friedemann Bach (1710-1784)

From Twelve Polonaises, F. 12
no. 1 in C major, no. 4 in D minor, no. 5 in E-flat, no. 6 in E-flat minor, no. 8 in E minor, no. 10 in F minor, no. 11 in G major, no. 12 in G minor (selections perf. ’19, ’20, ’22, ’23)

Sonata for Two Keyboards in F (perf. ’17)
I. Allegro e moderato II. Andante III. Presto

Ludwig van Beethoven (1770-1827)

Trio in C minor, op. 1 no. 3 (perf. ’07)
I. Allegro con brio II. Andante cantabile con Variazioni III. Menuetto: Quasi Allegro IV. Finale: Prestissimo

Sonata op. 2 no. 2 in A major (perf. ’17, ’18, ’20)
I. Allegro vivace II. Largo appassionato III. Scherzo: Allegretto IV. Rondo: Grazioso

Sonata for Piano and Cello in F major, op. 5 no. 1 (perf. ’11, ’12, ’14, ’15)
I. Adagio sostenuto – Allegro II. Rondo: Allegro vivace

Sonata for Piano and Cello in G minor, op. 5 no. 2 (perf. ’08)
I. Adagio sostenuto ed espressivo – Allegro molto piu tosto presto II. Rondo: Allegro

Sonata op. 10 no. 2 in F major (perf. ’06)
I. Allegro II. Allegretto III. Presto

Sonata op. 10 no. 3 in D major (perf. ’99, ’20)
I. Presto II. Largo e mesto III. Menuetto: Allegro IV. Rondo: Allegro

Sonata for Piano and Violin in D major, op. 12 no. 2 (perf. ’02, ’03)
I. Allegro con brio II. Tema con variazioni: Andante con moto III. Rondo: Allegro

Sonata for Piano and Violin in E-flat, op. 12 no. 3 (perf. ’01, ’03)
I. Allegro con spirito II. Adagio con molt’ espressione III. Rondo: Allegro molto

Sonata for Piano in E major, op. 14 no. 1 (perf. ’16)
I. Allegro II. Allegretto III. Rondo. Allegro comodo

Sonata op. 26 in A-flat (perf. ’17, ’19)
I. Andante con variazioni II. Scherzo. Allegro molto III. Maestoso andante, Marcia funebre sulla morte d’un eroe IV. Allegro

Sonata op. 27 no. 1 in E-flat “Sonata quasi una fantasia” (perf. ’94, ’96)
I. Andante II. Allegro molto vivace III. Adagio con espressione IV. Allegro vivace

Sonata op. 27 no. 2 in C-sharp minor “Moonlight” (perf. ’07, ’10)
I. Adagio sostenuto II. Allegretto III. Presto agitato

Sonata op. 28 in D major
I. Allegro II. Andante III. Scherzo. Allegro vivace IV. Rondo. Allegro ma non troppo

Sonata for Piano and Violin in C minor, op. 30 no. 2 (perf. ’98)
I. Allegro con brio II. Adagio cantabile III. Allegro IV. Allegro

Sonata op. 31 no. 1 in G major (perf. ’20, ’21)
I. Allegro vivace II. Adagio grazioso III. Rondo: Allegretto

Sonata op. 31 no. 3 in E-flat major (perf. ’04)
I. Allegro II. Scherzo: Allegretto vivace III. Menuetto: Moderato e grazioso IV. Presto con fuoco

Seven Bagatelles, op. 33 (perf. ’22)
I. Andante grazioso, quasi allegretto II. Scherzo: Allegro III. Allegretto IV. Andante V. Allegro ma non troppo VI. Allegretto quasi andante VII. Presto

Sonata for Piano and Violin in A minor, op. 47 “Kreutzer” (perf. ’99, ’00)
I. Adagio sostenuto – Presto II. Andante con Variazioni III. Presto

Sonata op. 49 no. 2 in G major
I. Allegro ma non troppo II. Tempo di Menuetto

Sonata op. 53 in C major “Waldstein” (perf. ’05)
I. Allegro con brio II. Introduzione: Adagio molto – Rondo: Allegretto moderato

Sonata op. 57 in F minor “Appassionata” (perf. ’91, ’22)
I. Allegro assai II. Andante con moto III. Allegro ma non troppo

Concerto no. 4 in G major, op. 58 (perf. ’02, ’03)
I. Allegro moderato II. Andante con moto III. Rondo: Vivace

Sonata for Piano and Cello in A major, op. 69 (perf. ’23)
I. Allegro ma non tanto II. Scherzo: Allegro molto III. Adagio cantabile – Allegro vivace

Piano Trio in D, op. 70 no. 1 “Ghost” (perf. ’02, ’03)
I. Allegro vivace e con brio II. Largo assai ed espressivo III. Presto

Sonata op. 78 in F# major “à Therese”
I. Adagio cantabile – Allegro ma non troppo II. Allegro vivace

Sonata for Piano and Violin in G major, op. 96 (perf. ’09)
I. Allegro moderato II. Adagio espressivo III. Scherzo: Allegro IV. Poco Allegretto

Trio in B-flat, op. 97 “Archduke” (perf. ’11, ’12, ’19)
I. Allegro moderato II. Scherzo: Allegro III. Andante cantabile, ma però con moto IV. Allegro moderato

Sonata op. 101 in A major (perf. ’97)
I.Etwas lebhaft und mit der innigsten Empfindung II.Lebhaft. Marschmassig III. Langsam und sehnsuchtsvoll – Geschwind, doch nicht zu sehr, und mit Entschlossenheit

Sonata op. 102 no. 2 for Piano and Cello (perf. ’17)
I. Allegro con brio II. Adagio con molto sentimento d’affetto III. Allegro

Sonata op. 109 in E major (perf. ’93)
I. Vivace II. Prestissimo III. Gesangvoll, mit innigster Empfindung

Sonata op. 110 in A-flat major (perf. ’01)
I. Moderato cantabile molto espressivo II. Allegro molto III. Adagio ma non troppo IV. Allegro ma non troppo

33 Variations on a Waltz by Diabelli, op. 120 (perf. ’00, ’01, ’10)

Ten Variations on Wenzel Muller’s Lied Ich bin der Schneider Kakadu for piano trio, op. 121a (perf. ’05)

Muzio Clementi (1752-1832)

Sonata op. 40 no. 3 in D Major (perf. ’06)
I. Adagio molto – Allegro II. Adagio con molta espressione III. Allegro

Suite in C major from Gradus ad Parnassum (perf. ’06, ’22)
Exercises 12 (Preludio), 13 (Fuga), 14 and 15 (Finale)

Johann Wilhelm Haessler (1747-1822)

Fantasia and Sonata in C major, op. 4 (perf. ’10)
I. Fantasia II. Vivace III. Recitativo – Moderato – Recitativo IV. Andante V. Allegro

Joseph Haydn (1732-1809)

Trio Hob. XV:18 in A major (perf. ’19)
I. Allegro moderato II. Andante III. Allegro

Trio Hob. XV:21 in C major (perf. ’07)
I. Adagio pastorale – Vivace assai II. Molto andante III. Finale: Presto

Trio Hob. XV:23 in D minor (perf. ’19, ’23)
I. Andante molto II. Adagio ma non troppo III. Finale. Vivace

Trio Hob. XV:25 in G major (perf. ’11)
I. Andante II. Poco adagio, cantabile III. Rondo a l’Ongarese: Presto

Trio Hob. XV:26 in F# minor (perf. ’09)
I. Allegro II. Adagio cantabile III. Finale: Tempo di Minuetto

Trio Hob. XV:27 in C major (perf. ’06)
I. Allegro II. Andante III. Presto

Trio Hob. XV:28 in E major (perf. ’01)
I. Allegro moderato II. Allegretto III. Finale: Allegro

Trio Hob. XV:33 in E-flat (perf. ’08)
I. Allegro moderato II. Andante con moto III. Presto

Sonata Hob. XVI:20 in C minor (perf. ’00, ’04)
I. Moderato II. Andante con moto III. Allegro

Sonata Hob. XVI:25 in E-flat major (perf. ’10)
I. Moderato II. Tempo di Menuet

Sonata Hob. XVI:34 in E minor (perf. ’17, ’18)
I. Presto II. Adagio III. Finale: Molto vivace

Sonata Hob. XVI:37 in D Major
I. Allegro con brio II. Largo e sostenuto III. Finale. Presto, ma non troppo

Sonata Hob. XVI:38 in E-flat (perf. ’06)
I. Allegro moderato II. Adagio III. Allegro

Sonata Hob. XVI:41 in B-flat (perf. ’09)
I. Allegro II. Allegro di molto

Sonata Hob. XVI:42 in D major
I. Andante con espressione II. Vivace assai

Sonata Hob. XVI:48 in C Major (perf. ’96)
I. Andante con espressione II. Rondo. Presto

Sonata Hob. XVI:50 in C major (perf. ’98)
I. Allegro II. Adagio III. Allegro molto

Fantasia in C major, Hob. XVII:4 (perf. ’19, ’20, ’21)

Andante with Variations in F minor, Hob. XVII:6 (perf. ’10)

Wolfgang Amadeus Mozart (1756-1791)

Nine Variations in C on Lison dormait from the Singspiel “Julie” by Nicolas Dezède, K. 264 (perf. ’06)

Trio-Divertimento in B-flat, K. 254 (perf. ’07)
I. Allegro assai II. Adagio III. Rondeaux: Tempo di Minuetto

Sonata K. 279 in C major (perf. ’21, ’23)
I. Allegro II. Andante III. Allegro

Sonata K. 280 in F major
I. Allegro assai II. Adagio III. Presto

Sonata K. 281 in B-flat major (perf. ’10, ’22, ’23)
I. Allegro II. Andante amoroso III. Allegro

Sonata K. 282 in E-flat major (perf. ’00, ’22)
I. Adagio II. Menuetto I+II III. Allegro

Sonata K. 283 in G major (perf. ’22)
I. Allegro II. Andante III. Presto

Sonata K. 284 in D major (perf. ’16)
I. Allegro II. Rondo en polonaise III. Tema con variazione

Sonata K. 304 for Piano and Violin in E minor (perf. ’24)
I. Allegro II. Tempo di Minuetto

Sonata K. 306 for Piano and Violin in D major (perf. ’06)
I. Allegro con spirito II. Andantino cantabile III. Allegretto – Allegro

Sonata K. 309 in C major (perf. ’15, ’22)
I. Allegro con spirito II. Andante un poco adagio III. Rondo: Allegretto grazioso

Sonata K. 310 in A minor
I. Allegro maestoso II. Andante cantabile con espressione III. Presto

Sonata K. 311 in D major (perf. ’22)
I. Allegro con spirito II. Andante con espressione III. Rondeau: Allegro

Sonata K. 332 in F major (perf. ’17, ’18)
I. Allegro II. Adagio III. Allegro assai

Sonata K. 333 in B-flat major
I. Allegro II. Andante cantabile III. Allegretto grazioso

Fantasy K. 397 in D minor

Concerto in A major, K. 414 (perf. ’18)
I. Allegro II. Andante III. Allegretto

Sonata K. 448 in D major for two pianos (perf. ’03)
I. Allegro con spirito II. Andante III. Molto Allegro

Concerto in E-flat major, K. 449 (perf. ’19)
I. Allegro vivace II. Andantino III. Allegro ma non troppo

Sonata for Piano and Violin in B-flat, K. 454 (perf. ’18)
I. Largo: Allegro II. Andante III. Allegretto

Variations on a theme of Gluck, Unser dummer Pöbel meint, K. 455 (perf. ’17, ’18)

Concerto no. 18 in B-flat, K. 456 (perf. ’01)
I. Allegro vivace II. Andante un poco sostenuto III. Allegro vivace

Sonata K. 457 in C minor (perf. ’19, ’20)
I. Molto allegro II. Adagio III. Allegro assai

Fantasy K. 475 in C minor (perf. ’19, ’20, ’21)

Concerto no. 22 in E-flat major, K. 482
I. Allegro II. Andante III. Allegro

Concerto no. 24 in C minor, K. 491 (perf. ’95 with second piano)
I. Allegro II. Larghetto III. Allegretto

Quartet in E-flat major, K. 493 (perf. ’01)
I. Allegro II. Larghetto III. Allegretto

12 Variations on an Allegretto in B-flat, K. 500 (perf. ’19)

Trio in B-flat, K. 502 (perf. ’08, ’24)
I. Allegro II. Larghetto III. Allegretto

Sonata K. 533/494 in F major (perf. ’03, ’07)
I. Allegro II. Andante III. Rondo: Allegretto

Adagio in B minor, K. 540 (perf. ’06)

Gigue in G major, K. 574 (perf. ’07)

Alexander Reinagle (1750-1809)

“Philadelphia” Sonata no. 3 in C major (perf. ’07, ’17)
I. Allegro con brio II. Adagio III. Allegro

Romantic Period

Please see also under French music and Russian Music.

Isaac Albéniz (1860-1909)

selections from Iberia
no. 1, Evocación (perf. ’09, ’10, ’17, ’20, ’21)
no. 2, El Puerto (perf. ’21)
no. 3, El Corpus en Sevilla (perf. ’21)
no. 4, Rondeña (perf. ’09, ’10)
no. 5, Almeria (perf. ’15, ’21)
no. 6, Triana (perf. ’09, ’10, ’13, ’14, ’15, ’17, ’21)
no. 7, El Albaicín (perf. ’09, ’10, ’12, ’13, ’14, ’15, ’21)

no. 8, El Polo

no. 9, Lavapiès (perf. ’11, ’12)
no. 11, Jerez (perf. ’11, ’12, ’17)

Leyenda (Asturias) (perf. ’91)

Johannes Brahms (1833-1897)

Piano Trio no. 1 in B major, op. 8 (perf. ’09)
I. Allegro con brio II. Scherzo: Allegro molto III. Adagio IV. Allegro

Ballades, op. 10 (perf. ’01)
no. 1 in D minor “Edward” (Andante) (perf. ’06)
no. 2 in D major (Andante)
no. 3 in B minor (Allegro)
no. 4 in B major (Andante con moto)

Concerto no. 1 in D minor, op. 15 (perf. ’96 with Reading Symphony Orchestra, ’15 with Washington Metropolitan Philharmonic)
I. Maestoso II. Adagio III. Allegro non troppo

Variationen über ein eigenes Thema in D, op. 21 no. 1 (perf. ’22)

Sonata for Cello and Piano, op. 38 in E minor (perf. ’16, ’20)
I. Allegro non troppo II. Allegretto quasi Menuetto III. Allegro

Piano Quartet in C minor, op. 60 (perf. ’08)
I. Allegro non troppo II. Scherzo: Allegro III. Andante IV. Allegro comodo

Sonata for Violin and Piano, op. 78 in G major
I. Vivace ma non troppo II. Adagio III. Allegro molto moderato

Rhapsody op. 79 no. 1 in B minor (perf. ’91)

Concerto no. 2 in B-flat, op. 83
I. Allegro non troppo II. Allegro appassionato III. Andante IV. Allegretto grazioso

Piano Trio in C major, op. 87 (perf. ’09)
I. Allegro II. Andante con moto III. Scherzo: Presto IV. Finale: Allegro giocoso

Piano Trio in C minor, op. 101 (perf. ’99)
I. Allegro energico II. Presto non assai III. Andante grazioso IV. Allegro molto

Sonata for Violin and Piano, op. 108 in D minor (perf. ’07, ’09)
I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato

Sonata no. 2 for Clarinet or Viola and Piano in E-flat, op. 120, no. 2
I. Allegro amabile II. Allegro appassionato III. Andante con moto

Selected Intermezzos
op. 117 no. 3 in C# minor (perf ’91)
op. 118 no. 1 in A minor (perf. ’91)
op. 118 no. 2 in A major
op. 119 no. 1 in B minor
op. 119 no. 2 in E minor
op. 119 no. 3 in C major (perf. ’91)

Hungarian Dances for piano four hands (perf. ’00)
no. 13 in D major
no. 14 in D minor
no. 15 in B-flat major
no. 19 in B minor
no. 20 in E minor
no. 21 in E minor

Feruccio Busoni (1866-1924)

Concerto in C major for Piano and Orchestra with Male Choir, op. 39
I. Prologo e Introito II. Pezzo giocoso. Vivacemente, ma senza fretta III. Pezzo serioso. Introductio (Andante sostenuto, pensoso). Prima pars (Andante, quasi Adagio). Altera pars (Sommessamente). Ultima pars. IV. All’Italiana (Vivace) V. Cantico (Largamente).

Frédéric Chopin (1811-1849)

Scherzo no. 1 op. 20 in B minor

Scherzo no. 2 op. 31 in B-flat minor (perf. ’91)

Scherzo no. 3 op. 38 in C-sharp minor (perf. ’06)

Prelude op. 45 in C-sharp minor

Ballade no. 3 op. 47 in A-flat (perf. ’16, ’22, ’23)

Fantasy in F minor, op. 49 (perf. ’04, ’10)

Scherzo no. 4 op. 54 in E major (perf. ’16)

Berceuse op. 57 in D-flat major (perf. ’89, ’08, ’09, ’13)

Sonata no. 3 op. 58 in B minor (perf. ’95, ’96, ’09, ’10)
I. Allegro maestoso II. Scherzo. Molto vivace III. Largo IV. Finale. Presto non tanto

Sonata for Cello and Piano in G minor, op. 65 (perf. ’03, ’15)
I. Allegro moderato II. Scherzo: Allegro con brio III. Largo IV. Finale: Allegro

Mazurkas
op. 6 no. 1 in F# minor (perf. ’94, ’00)
op. 7 no. 1 in B-flat major
op. 17 no. 4 in A minor (perf. ’94, ’00)
op. 33 no. 4 in B minor (perf. ’86)
op. 50 no. 1 in G major (perf. ’08, ’09, ’23)
op. 50 no. 2 in A-flat (perf. ’08, ’09, ’16, ’23)
op. 50 no. 3 in C# minor (perf. ’08, ’09, ’16, ’23)
op. 56 no. 1 in B major (perf. ’02, ’03, ’04, ’22)
op. 56 no. 2 in C major (perf. ’02, ’03, ’04, ’22)
op. 56 no. 3 in C minor (perf. ’02, ’03, ’04, ’22)
op. 63 no. 3 in C# minor (perf. ’94, ’00)

Nocturnes
op. 9 no. 3 in B major (perf. ’94)
op. 15 no. 1 in F major (perf. ’10)
op. 15 no. 2 in F# major (perf. ’10)
op. 27 no. 2 in D-flat major (perf. ’10)
op. 32 no. 1 in B major (perf. ’86)
op. 55 no. 2 in E-flat major (perf. ’06)

Études
op. 10 (complete)
no. 1 in C major
no. 2 in A minor
no. 3 in E major (perf. ’91, ’92)
no. 4 in C-sharp minor
no. 5 in G-flat major “Black Key”
no. 6 in E-flat minor
no. 7 in C major
no. 8 in F major (perf. ’06)
no. 9 in F minor
no. 10 in A-flat major
no. 11 in E-flat major
no. 12 in C minor “Revolutionary”
op. 25 no. 2 in F minor
op. 25 no. 6 in G# minor (perf. ’04, ’06)
op. 25 no. 10 in C minor

Waltzes
op. 18 in E-flat major (perf. ’90)
op. 64 no. 2 in C-sharp minor (perf. ’90)

Polonaises
op. 40 no. 1 in A major
op. 40 no. 2 in C minor (perf. ’87)
op. 44 in F# minor (perf. ’08, ’09)
op. 53 in A-flat major (perf. ’91)

Antonin Dvorák (1841-1904)

Trio in F minor, op. 65 (perf. ’13)
I. Allegro, ma non troppo II. Allegretto grazioso III. Poco Adagio IV. Finale. Allegro con brio

Trio in E minor, op. 90 “Dumky” (perf. ’04)

Quintet in A major, op. 81
I. Allegro, ma non tanto II. Dumka. Andante con moto III. Furiant. Molto vivace IV. Finale. Allegro (perf. ’06)

César Franck (1822-1890)

Prelude, Chorale, and Fugue (perf. ’21, ’22)

Sonata for Violin and Piano in A major (perf. ’99, ’17, ’20)
I. Allegretto moderato II. Allegro III. Recitativo-Fantasia (Moderato) IV. Allegretto poco mosso

Piano Quintet in F minor (perf. ’08)
I. Molto moderato II. Lento III. Allegro non troppo

Franz Liszt (1811-1886)

Totentanz (perf. ’98 with Pottstown Symphony Orchestra)

Sonata in B minor (perf. ’92, ’10)

Études d’exécution transcendante
no. 1 in C major “Preludio” (perf. ’22)

no. 2 in A minor (perf. ’95, ’22)
no. 3 in F major “Paysage” (perf. ’06, ’22)
no. 6 in B-flat “Feux Follets” (perf. ’22)

no. 7 in E-flat “Eroica” (perf. ’97)

no. 8 in C minor “Wilde Jagd”

no. 9 in A-flat major“Ricordanza” (perf. ’95)
no. 10 in F minor (perf. ’95, ’06)

Hungarian Rhapsodies
no. 2 in C# minor
no. 3 in B-flat major (perf. ’21)
no. 5 in E minor
no. 6 in D-flat major (perf. ’94)
no. 10 in E major
no. 12 in C# minor (perf. ’92)
no. 13 in A minor (perf. ’10, ’16)

from Années de Pelerinage Book I “Suisse”
Au bord d’une source (perf. ’22)

from Années de Pelerinage Book II “Italy”
Spozalizio (perf. ’91)
Il Penseroso
Petrarch Sonnet no. 104 (perf. ’91, ’94, ’95, ’06, ’19)

from Apparitions

no. 1, no. 2 (perf. ’17, ’18)

Schubert-Liszt ‘Ungeduld’ from Die schöne Müllerin, first version (perf. ’08) and third version (perf. ’06, ’08)
Schumann-Liszt ‘Widmung’ from Myrten op. 25 (perf. ’06)

Liebestraume no. 3 in A-flat major (perf. ’92)

Valse oubliée no. 1 in F# major (perf. ’91)

Consolation no. 3 in D-flat major (perf. ’95)

Mephisto Waltz no. 1 (perf. ’02, ’04, ’07)

Legend of St. Francis of Assisi preaching to the birds (perf. ’09, ’10)

Csárdás obstinée (perf. ’22)

Fanny Mendelssohn Hensel (1805-1847)

Trio in D minor op. 11 (perf. ’12) I. Allegro molto vivace II. Andante espressivo III. Lied. Allegretto. IV. Finale. Allegretto moderato

Felix Mendelssohn (1809-1847)

Trio no. 1 in D minor, op. 49 (perf. ’07) I. Molto allegro ed agitato II. Andante con moto tranquillo III. Scherzo: molto allegro – quasi presto IV. Finale: Allegro appassionato

Variations sérieuses, op. 54 (perf. ’09, ’10)

Trio no. 2 in C minor, op. 66 (perf. ’12) I. Allegro energico e con fuoco II. Andante espressivo III. Scherzo. Molto allegro quasi Presto IV. Finale. Allegro appassionato

Ignacy Jan Paderewski (1860-1941)

Dans le Desert, op. 15 (perf. ’18)

Melodie in G-flat major, op. 16 no. 2 (perf. ’18)

Franz Schubert (1797-1828)

Sonata D. 575 in B major (perf. ’00)
I. Allegro ma non troppo II. Andante III. Allegretto IV. Allegro giusto

Fantasy D. 760 in C major “Wandererfantasie”

Moments Musicaux, D. 780 (perf. selections ’97, ’00, ’01, ’02, ’06)
no. 1 in C major
no. 2 in A-flat major
no. 3 in F minor
no. 4 in C-sharp minor
no. 5 in F minor
no. 6 in A-flat major

Sonata D. 784 in A minor (perf. ’96, ’97)
I. Allegro giusto II. Andante III. Allegro vivace

Sonata D. 812 in C major for piano four hands (“Grand Duo”) (perf. ’00, ’03, ’09)
I. Allegro moderato II. Andante III. Scherzo. Allegro vivace IV. Allegro vivace

Impromptus D. 899
no. 2 in E-flat (perf. ’86)
no. 3 in G-flat major (perf. ’97, ’06)
no. 4 in A-flat major (perf. ’97, ’03)

Winterreise, D. 911

Trio in E-flat major, D. 929 (perf. ’15)
I. Allegro II. Andante con moto III. Scherzo. Allegro moderato IV. Allegro moderato

Fantasy for Violin and Piano in C major, D. 934 (perf. ’23)

Sonata in A major, D. 959 (perf. ’06, ’15)
Allegro – Andantino – Scherzo: Allegro vivace – Rondo: Allegretto

Robert Schumann (1810-1856)

Variations on the Name “Abegg”, op. 1

Davidsbündlertänze, op. 6 (perf. ’98, ’99, ’10)

Fantasiestücke, op. 12 (selections)
Des Abends
In der Nacht
Warum
Grillen

Arabeske, op. 18 (perf. ’10, ’15, ’16)

Nachtstücke, op. 23 (perf. ’10)
Mehr langsam, oft zurückhaltend
Markiert und lebhaft
Mit grosser Lebhaftigkeit
Einfach

Drei Romanzen, op. 28 (perf. ’11, ’12)
no. 1 in E-flat minor (Sehr markiert)
no. 2 in F# major (Einfach)
no. 3 in B major (Sehr markiert)

Vier Klavierstücke, op. 32 (perf. ’15, ’16)
Scherzo
Gigue
Romanze
Fughette

Liederkreis, op. 39 (Eichendorff) (perf. ’05)

Piano Quintet in E-flat, op. 44 (perf. ’07, ’15)
I. Allegro brillante II. In modo d’una marcia III. Scherzo: molto vivace IV. Allegro ma non troppo

Fünf Stücke im Volkston, op. 102 (perf. ’14)

Sonata for Violin and piano in A minor, op. 105 (perf. ’99)
I. Mit leidenschaftlichem Ausdruck II. Allegretto III. Lebhaft

Piano Trio in G minor, op. 110 (perf. ’16)
I. Bewegt, doch nicht zu rasch II. Ziemlich langsam III. Rasch IV. Kräftig, mit Humor

Richard Strauss (1864-1949)

Enoch Arden, op. 38, a melodrama for voice and piano based on the poem of Tennyson (perf. ’99)

Russian Music

Sergei Lyapunov (1859-1924)

Transcendental Etudes op. 11 (selections)
no. 1 in F# (Berceuse)
no. 4 in G# minor (Terek)

Nikolai Medtner (1880-1951)

Sonata-Elegy in D minor, op. 11 no. 2 (perf. ’06)

Sonata minacciosa in F minor, op. 53 no. 2 (perf. ’08, ’17)

Nikolai Miaskovsky (1881-1950)

Sonata no. 3, op. 19 in C minor (perf. ’94, ’04)

Sergei Prokofiev (1891-1953)

Suggestion diabolique, op. 4 no. 4 (perf. ’07, ’08)

Concerto no. 3, op. 22 in C Major (perf. ’92, ’93)
I. Andante – Allegro II. Andantino III. Allegro, ma non troppo

Sonata no. 2, op. 14 in D minor (perf. ’98, ’01, ’02, ’03)
I. Allegro, ma non troppo II. Allegro marcato III. Andante IV. Vivace

Sonata no. 3, op. 28 in A minor (perf. ’91)

Sergei Rachmaninoff (1873-1943)

Concerto no. 2 in C minor, op. 18 (perf. ’13)
I. Moderato II. Adagio sostenuto III. Allegro scherzando

Sonata for Cello and Piano in G minor, op. 19 (perf. ’04)
I. Lento – Allegro moderato II. Allegro scherzando III. Andante IV. Allegro mosso

Prelude in G minor, op. 23 no. 5 (perf. ’17)

Prelude in E-flat, op. 23 no. 6 (perf. ’17)

Prelude in B minor, op. 32 no. 10 (perf. ’17)

Prelude in G# minor, op. 32 no. 12 (perf. ’17)

Concerto no. 3 in D minor, op. 30 (perf. ’01, ’12)
I. Allegro ma non tanto II. Adagio III. Finale. Alla breve

Etude-tableau op. 33 no. 6 in E-flat minor (perf. ’17)

Etude-tableau op. 39 no. 1 in C minor (perf. ’17)
Etude-tableau op. 39 no. 5 in E-flat minor (perf. ’06)

Alexander Scriabin (1871-1915)

Étude op. 2 no. 1 in C# minor (perf. ’92, ’14, ’15)

Étude op. 2 no. 1 in C# minor, arr. for LH solo by Jay Reise (b. 1950) (perf. ’06, ’14, ’15, ’16)

Mazurkas op. 3 (selections)
op. 3 no. 1 in B minor (perf. ’08, ’09)
op. 3 no. 2 in F# minor
op. 3 no. 5 in D# minor
op. 3 no. 6 in C# minor

Sonata no. 1, op. 6 in F minor (perf. ’94, ’08, ’09, ’13, ’15)
I. Allegro con fuoco II. (Adagio) III. Presto IV. Funebre

Etudes op. 8 (selections):
op. 8 no. 2 in F# minor (perf. ’91)
op. 8 no. 10 in D-flat (perf. ’19)
op. 8 no. 11 in B-flat minor (perf. ’91, ’92, ’14, ’15, ’16, ’19)
op. 8 no. 12 in D# minor (perf. ’91, ’92, ’14, ’15, ’16, ’19)
op. 8 no. 12 in D# minor, original version (perf. ’15)
op. 8 no. 12 in D# minor, arr. for LH solo by Jay Reise (b. 1950) (perf. ’06, ’14, ’15)

Prelude for the LH alone in C# minor, op. 9 no. 1 (perf. ’17)

Nocturne for the LH alone in D-flat, op. 9 no. 2 (perf. ’16)

Preludes op. 11 (complete, perf. ’22, ’23)

no. 1 in C major (perf. ’95)
no. 2 in A minor (perf. ’95)
no. 3 in G major (perf. ’95)
no. 4 in E minor
no. 5 in D major
no. 6 in B minor
no. 7 in A major
no. 8 in F-sharp minor
no. 9 in E Major (perf. ’95, ’15)
no. 10 in C-sharp minor (perf. ’95, ’15)
no. 11 in B Major (perf. ’95, ’15)
no. 12 in G-sharp minor (perf. ’15)
no. 13 in G-flat major
no. 14 in E-flat minor (perf. ’95)
no. 15 in D-flat major
no. 16 in B-flat minor (perf. ’95, ’15)
no. 17 in A-flat (perf. ’95, ’15)
no. 18 in F minor
no. 19 in E-flat major
no. 20 in C minor
no. 21 in B-flat major
no. 22 in G minor
no. 23 in F major
no. 24 in D minor

Preludes op. 13 (complete) (perf. ’08, ’14, ’15, ’16, ’21)
no. 1 in C major
no. 2 in A minor
no. 3 in G major
no. 4 in E minor
no. 5 in D major
no. 6 in B minor (perf. ’17)

Preludes op. 15
no. 1 in A major (perf. ’16)
no. 2 in F# minor (perf. ’16)

Preludes op. 17
no. 1 in B major (perf. ’16)
no. 5 in E-flat minor (perf. ’16)

Sonata no. 2, op. 19 in G# minor “Sonata-Fantasy” (perf. ’11, ’12, ’13, ’14, ’15, ’16)
I. Andante II. Presto

Concerto op. 20 in F# minor (perf. ’92, ’10)
I. Allegro II. Andante III. Allegro moderato

Sonata no. 3, op. 23 in F# minor (perf. ’02, ’04, ’15)
I. Drammatico II. Allegretto III. Andante IV. Presto con fuoco

Mazurkas op. 25 (selections)
op. 25 no. 4 in E major (perf. ’97, ’15)
op. 25 no. 5 in C# minor (perf. ’97)
op. 25 no. 7 in F# minor (perf. ’97)

Prelude op. 27 no. 1 in G minor (perf. ’13, ’14, ’15)

Sonata no. 4, op. 30 in F# major (perf. ’97, ’04, ’06, ’15)
I. Andante II. Prestissimo volando

Poème op. 32 no. 1 in F# major (perf. ’13, ’14, ’15, ’16, ’17)

Poème op. 32 no. 2 in D major (perf. ’15, ’16, )

Preludes op. 37 (complete): (perf. ’95, ’04, ’13, ’14, ’15)
no. 1 in B-flat minor
no. 2 in F# major
no. 3 in B major
no. 4 in G minor

Mazurka op. 40 no. 2 in F# major (perf. ’09)

Etudes op. 42 (selections):
op. 42 no. 2 in F# minor (perf. ’06)
op. 42 no. 3 in F# major (perf. ’95, ’01, ’06, ’15)
op. 42 no. 4 in F# major (perf. ’91, ’95, ’01, ’06, ’15)
op. 42 no. 5 in C# minor (perf. ’91, ’93, ’94, ’95, ’96, ’01, ’04, ’06, ’14, ’15)
op. 42 no. 6 in D-flat (perf. ’06)

Feuillet d’album, op. 45 no. 1 (perf. ’94, ’03, ’05, ’14, ’15, ’23)

Quatre Morceaux, op. 51 (perf. ’15, ’16)
Fragilité
Prelude
Poème ailé
Danse languide

Trois Morceaux op. 52 (perf. ’17)
no. 1, Poème
no. 2, Enigme
no. 3, Poème languide

Sonata no. 5, op. 53 in F# major (perf. ’94, ’03, ’04, ’05, ’14, ’15, ’16, ’17)

Deux Morceaux, op. 59 (perf. ’13, ’14, ’15)
no. 1, Poème
no. 2, Prelude

Sonata no. 6, op. 62 (perf. ’13, ’14, ’15)

Deux Poèmes, op. 63 (perf. ’13, ’14, ’15, ’23)
no. 1, Masque
no. 2, Étrangeté

Sonata no. 7, op. 64 “White Mass” (perf. ’13, ’14, ’15, ’16)

Sonata no. 8, op. 66 (perf. ’96, ’97, ’99, ’04, ’15, ’17)

Preludes op. 67
no. 1 (perf. ’15, ’16)
no. 2 (perf. ’15)

Sonata no. 9, op. 68 “Black Mass” (perf. ’96, ’04, ’07, ’08, ’15)

Deux Poèmes, op. 69 (perf. ’15)
no. 1, Allegretto
no. 2, Allegretto

Sonata no. 10, op. 70 (perf. ’91, ’92, ’04, ’15, ’16, ’17)

Deux Poèmes, op. 71 (perf. ’08, ’09, ’12, ’14, ’15, ’23)
no. 1, Fantastique
no. 2, En rêvant

Poème “Vers la Flamme”, op. 72 (perf. ’07, ’08, ’15)

Deux Poèmes, op. 73 (perf. ’15, ’23)
no. 1, Guirlandes
no. 2, Flammes sombres

Preludes op. 74 (complete) (perf. ’15)
Douloureux, déchirant
Très lent, contemplatif
Allegro drammatico
Lent, vague, indécis
Fier, belliqueux

Dmitri Shostakovich (1906-1975)

Trio in E minor, op. 67 (perf. ’14)
I. Andante
II. Allegro con brio
III. Largo
IV. Allegretto

Igor Stravinsky (1882-1971)

Le Sacre du Printemps (arr. two pianos/piano four hands) (perf. ’03, ’12)

Piano Rag Music (perf. ’11)

Sergei Ivanovich Taneyev (1856-1915)

Piano Quartet in E major, op. 20 (perf. ’17)
I. Allegro brillante
II. Andante piu tosto largo
III. Finale: Allegro molto

Piotr Ilyich Tchaikovsky (1840-1893)

Trio in A minor, op. 50 (perf. ’11)
I. Pezzo elegiaco
II. A.Tema con variazioni: Andante con moto B. Variazioni Finale e Coda

French Music

Charles Valentin Alkan (1813-1888)

Etudes (Scherzi), op. 16 (perf. ’16, complete)
no. 1 in C major (perf. ’19)
no. 2 in C minor
no. 3 in B minor

from 25 Preludes, op. 31
Chanson de la Folle au bord de la Mer (perf. ’19)

from 49 Esquisses, op. 63

no. 37 in C minor (Scherzettino)
no. 38 in G major (Le ciel vous soit toujours prospère)
no. 39 in D minor (Héraclite et Démocrite)
no. 40 in A major (Attendez-moi sous l’orme)
no. 41 in E minor (Les enharmoniques, perf. ’19)
no. 42 in B major (Petit air à 5 voix)
no. 43 in F# minor (Notturnino-innamorato)
no. 44 in C# major (Transports)
no. 45 in G# minor (Les diablotins)
no. 46 in E-flat major (Le premier billet doux)
no. 47 in B-flat minor (Scherzetto)
no. 48 in F major (En songe, perf ’19)

no. 49 in C major (Laus Deo)

Gilbert Amy (1936-)

Obliques III (perf. ’03)

Georges Auric (1889-1983)

Selections from Les Fâcheux (perf. ’12)
Le maitre à danser
Nocturne
Les joueurs de boules

Georges Bizet (1838-1875)

Jeux d’Enfants, op. 22, for piano four hands (perf. ’09)

Lili Boulanger (1893-1918)

Pièces en Trio (complete) (perf. ’13)
d’un soir triste
d’un matin de printemps

Works for Violin and Piano (perf. ’18)
Nocturne – Cortège – d’un matin de printemps

Pierre Boulez (1925-)

*Sonata no. 1 (perf. ’97, ’98, ’04, ’05, ’14)
I. Lent – beaucoup plus allant II. Assez large – rapide

Sonata no. 2
II. Lent (perf. ’14)

Robert Casadesus (1899-1972)

Huit Etudes, op. 28 no. 5 (Deux contre trois) (perf. ’22)

Huit Etudes, op. 28 no. 6 (Main gauche) (perf. ’22)

Cécile Chaminade (1857-1944)

Méditation op. 76 no. 6 (perf. ’22, ’23)
Toccata op. 39 (perf. ’22)

Claude Debussy (1862-1918)

Images, Book I (complete) (perf. ’02)
Reflets dans l’eau
Hommage à Rameau
Mouvement

Préludes from Book I (selections)
Les sons et les parfums tournent dans l’air du soir (perf. ’22)
La sérénade interrompue (perf. ’18, ’22)
La cathédrale engloutie (perf. ’18)

Preludes, Book II (complete) (perf. ’18)
Brouillards (perf. ’22)
Feuilles mortes
La puerta del Vino
Les fées sont d’exquises danseuses
Bruyèeres
Général Lavine – eccentric
La terrasse des audiences du clair de lune
Ondine
Hommage à S. Pickwick, Esq. P.P.M.P.C.
Canope
Les tierces alternées
Feux d’artifice (perf. ’22)

Six Épigraphes Antiques for piano, four hands (perf. ’00)
Pour invoquer Pan, dieu du vent d’été
Pour un tombeau sans nom
Pour que la nuit soit propice
Pour la danseuse aux crotales
Pour l’Égyptienne
Pour remercier la pluie au matin

L’Île joyeuse (perf. ’91, ’93)

Children’s Corner (perf. ca. ’86)
Doctor Gradus ad Parnassum
Jimbo’s Lullaby
Serenade of the Doll
The Snow is Dancing
The Little Shepherd
Golliwogg’s Cake Walk

En blanc et noir for two pianos (perf. ’95, ’03)
I. Avec emportement
II. Lent. Sombre
III. Scherzando

Études, Book II (complete) (perf. ’98)
Pour les degrés chromatiques (perf. ’04, ’06)
Pour les agréments (perf. ’06)
Pour les notes repétées
Pour les sonorités opposées
Pour les arpèges composés
Pour les accords

Sonata for Cello and Piano (perf. ’96, ’97, ’10)
I. Prologue: Lent II. Sérénade: Modérément animé III. Finale: Animé

Sonata for Violin and Piano (perf. ’18)
I. Allegro vivo II. Intermède: Fantasque et léger III. Finale: Très animé

Minstrels arr. violin/piano by Debussy (perf. ’18)

La fille aux cheveux de lin arr. violin/piano by Hartmann (perf. ’18)

Bruyères arr. violin/piano by M. Bengtson (perf. ’18)

Henri Dutilleux (1916-2013)

Trois Preludes (perf. ’20)

Figures des Resonances for two pianos (perf. ’95)

Sonatine for flute and piano

Sarabande et Cortège for bassoon and piano (perf. ’03)

Gabriel Fauré (1845-1924)

Sonata for Violin and Piano no. 1 in A major, op. 18 (perf. ’98, ’99, ’03, ’09, ’10, ’18)
I. Allegro molto II. Andante III. Allegro vivo IV. Allegro quasi presto

Nocturne no. 2 in B major, op. 33 no. 2 (perf. ’06, ’10)

Fantasie for Flute and Piano in E minor, op. 79 (perf. ’92)

Preludes, op. 103 (complete) (perf. ’24)
no. 1 in D-flat
no. 2 in C# minor
no. 3 in G minor
no. 4 in F major
no. 5 in D minor
no. 6 in E-flat minor
no. 7 in A major
no. 8 in C minor
no. 9 in E minor

Nocturne no. 11 in F# minor, op. 104 no. 1

Barcarolle no. 10 in A minor, op. 104 no. 2 (perf. ’23)

Barcarolle no. 12 in E-flat, op. 106 (perf. ’02)

Nocturne no. 12 in E minor, op. 107 (perf. ’08, ’22, ’23)

Quintet no. 2 in C minor, op. 115 (perf. ’04)
I. Allegro moderato II. Allegro vivo III. Andante moderato IV. Allegro molto

Sonata for Cello and Piano no. 2 in G minor, op. 117 (perf. ’02, ’07)
I. Allegro II. Andante III. Allegro vivo

Nocturne no. 13 in B minor, op. 119 (perf. ’02, ’10, ’18)

Piano Trio in D minor, op. 120 (perf. ’14)
I. Allegro, ma non troppo II. Andantino III. Allegro vivo

Olivier Messiaen (1908-1992)

Vingt Regards pour l’Enfant Jesus (selections)
13. Noēl

Le Merle Noir for Flute and Piano (perf. ’03)

Theme et Variations for Violin and Piano (perf. ’08)

Francis Poulenc (1899-1963)

Concert Champêtre for Harpsichord and Orchestra (perf. ’10 with Reading Symphony Orchestra)
I. Adagio – Allegro molto
II. Andante
III. Finale: Presto

Sextet for Piano and Winds
I. Allegro vivace; Très vite et emporté
II. Divertissement: Andantino
III. Finale: Prestissimo

Maurice Ravel (1875-1937)

Jeux d’eau (perf. ’02, ’22)

Miroirs (complete) (perf. ’92)
Noctuelles
Oiseaux tristes
Une barque sur l’ocean
Alborada del gracioso
La vallée des cloches

Trio for violin, cello and piano (perf. ’94, ’02, ’10)
I. Modéré II. Pantoum (Assez vif) III. Passacaille (Très large) IV. Final (Animé)

Gaspard de la Nuit (complete) (perf. ’94, ’07, ’08, ’10)
Ondine
Gibet
Scarbo

Le Tombeau de Couperin (complete) (perf. ’95, ’00, ’16, ’17)
Prelude
Fugue
Forlane
Rigaudon
Menuet
Toccata

Camille Saint-Saëns (1835-1921)

Carnival of the Animals (perf. ’13 with Reading Symphony Youth Orchestra)

Erik Satie (1866-1925)

Parade for piano four hands (perf. ’12)

Florent Schmitt (1870-1958)

Sonate libre en deux parties enchainées (ad modum clementis aquae) (perf. ’22)

Trois danses (perf. ’23)
I. Montferrine II. Bocane III. Danse de corde

Pauline Viardot (1821-1910)

Sonatine for violin and piano (perf. ’18)
Adagio – Allegro – Allegro finale

Eugène Ysaÿe (1858-1931)

Poème elegiaque for violin and piano (perf. ’18)

American Music

Karen Amanda Allen (b. 1970)

Sonata for Violin and Piano (1995) (perf. ’96 premiere, da camera CD DIDX 051528)
I. Themes and Variations (Andante – Allegro) II. Lullaby Fantasia (Adagio) III. Chase (Allegro)

Ingrid Arauco (b. 1957)

Meditation (Glocken) (2007) (perf. ’07, premiere, ’22) (rec. ’08)

Envoi (rec. ’08)

Niccolo Athens (b. 1988)

Six Apparitions (2016) for cello and piano (perf. ’17, premiere, and ’18)
I. Incantation II. Ritual Dance III. Canzona IV. Echo V. Ecstatic Dance VI. Procession

Samuel Barber (1910-1981)

Sonata in E-flat minor, op. 26 (perf. ’93)
I. Allegro energico II. Allegro vivace e leggiero III. Adagio mesto IV. Allegro con spirito

Nocturne, op. 33 (1957) (perf. ’10)

Amy Beach (1867-1944)

The Hermit Thrush at Eve, op. 92 no. 1 (perf. ’23)

Richard Belcastro (b. 1976)

Evil Monkey, four short pieces for piano (perf. ’11, premiere)

Matthew Bengtson (b. 1974)

Sonata in F major (1992) (perf. ’92)

Concerto in B minor (1991-92)
movement two (perf. ’92)

Fantasia in A minor (rev. 1988, rev. 1991) (perf. ’92)

Song Cycle based on Sonnets by Wordsworth, for baritone and piano (1990) (perf. ’91, ’92, ’95)
It is a Beauteous Evening
Mutability
Surprised by Joy
The World is Too Much With Us

Suite for Piano “The Emotions” (1992) (perf. ’92)
Meditation – Grief – Humiliation – Love – *Jubilation (perf. ’91, ’92, ’93, ’95) – Joy

Suite for Melomanie (2009) (perf. ’09)
Courante – Sarabande – Gavotte – Gigue

Aaron Berkowitz (b. 1978)

Tony said he saw birds flying (2003) (perf. ’05, premiere)

William Bolcom (b. 1938)

Twelve New Etudes (selections)
no. 1, Fast, furious (perf. ’11, ’16, ’17)
no. 2, Recitative (perf. ’11, ’12, ’16, ’17)
no. 3, Mirrors (perf. ’11, ’14)
no. 4, Scène d’Opéra (perf. ’11)
no. 5, Butterflies, Hummingbirds (perf. ’11, ’12, ’14, ’17)
no. 6, Nocturne (perf. ’11, ’17)
no. 7, Premonitions (perf. ’11, ’16, ’17)
no. 8, Rag infernal (perf. ’11, ’12, ’16, ’17)

no. 9, Invention (perf. ’23)
no. 10, Vers le Silence (perf. ’23)

Cello Sonata (perf. ’17)
Allegro inquieto, non troppo presto – Adagio semplice – Allegro assai, steady tempo, but uneasy

Elliott Carter (b. 1908)

90+ (perf. ’09, ’16)

Curt Cacioppo (b. 1951)

Ciclo metamorfico sul nome d’un maestro (selections) (perf. ’07, ’23, rec. ’09)
no. 1, “Getreidegasse no. 9”
no. 2, “Lo studio”
no. 3, “Apparition”
no. 6, “Amusement”
no. 7, “Reflection”
no. 9, “Bagatelle”

Old Swedes (rec. ’09)

Capriccio leggendario (rec. ’09)

Glück auf! (2004) (perf. ’05)

Beloved Emblem from Pawnee Preludes (1981, rev. 1994) (perf. ’05)

Homage to Diz (2004) (perf. ’05, premiere)

Klavierstück (1975-76) (perf. ’05)

Luke Carlson (b. 1983)

Toccata-Fantasy on Aura Lee (perf. ’14, premiere)

Patterns
Black Arabesques – Roundel in Red – Little Green Zigzags (perf. ’22, ’23)

Evan Chambers (b. 1963)

torn! (perf. ’18)

Morris Moshe Cotel (b. 1940?)

Tehom for three pianos (perf. ’98)

Ruth Crawford Seeger (1901-1953)

Study in Mixed Accents (1930) (two versions) (perf. ’06)

Aaron Copland (1900-1990)

Passacaglia in G# minor (perf. ’91)

Paul Creston (1906-1985)

Sonata for alto saxophone and piano, op. 19 (perf. ’96)
With vigor – With tranquillity – With gaiety

George Crumb (b. 1929)

Vox Balaenae (Voice of the Whale) for piano, flute and cello (perf. ’12)
Vocalise (… for the beginning of time) – Variations on Sea-Time (Sea Theme – Archeozoic – Proterozoic – Paleozoic – Mesozoic – Cenozoic) – Sea-Nocturne (for the end of time)

Daniel Dorff (b. 1956)

Sonata (Three Lakes) for Flute and Piano (perf. ’14)
I. Lake Wallenpaupack II. Kezar Lake III. Salmon Lake

Michael Fiday (b. 1961)

Nine Haiku for flute and piano (perf. ’14)

Arthur Foote (1853-1937)

Three Pieces for Cello and Piano, op. 1 (perf. ’16)

Scherzo for Cello and Piano, op. 22 (perf. ’15)

Aubade for Cello and Piano, op. 77 (perf. ’15)

Sonata for Cello and Piano, op. 78 (perf. ’17)
I. Allegro appassionato II. Andantino con moto III. Vivace assai

Lukas Foss (1922-2009)

Solo for piano (perf. ’20)

Capriccio for cello and piano (perf. ’03)

Vittorio Giannini (1903-1966)

Piano Quintet (perf. ’13, ’14, ’23)
I. Allegro con spirito II. Adagio III. Allegro

Jeremy Gill (b. 1974)

Anapestes (2006) (perf. ’07, premiere)

Elliott Fragments (for Carter) (2008) (perf. ’09)

Charles Tomlinson Griffes (1884-1920)

Three Preludes (perf. ’08)

Piano Sonata (perf. ’08, ’09)
I. Feroce; Allegretto con moto II. Molto Tranquillo III. Allegro vivace

Jan Krzywicki (b. 1948)

Alchemy (2003) (perf. ’07, ’08, ’18)

John Harbison (b. 1938)

Songs America Loves To Sing (perf. ’14 with Network for New Music, Philadelphia)

Gareth Haynes (b. 1997?)

Poème (perf. ’18, premiere)

Jennifer Higdon (b. 1962)

Notes of Gratitude (perf. ’18, premiere)

Chiayu Hsu (b. 1975)

Rhapsody-Toccata (perf. ’18, premiere)

Charles Ives (1874-1954)

Sonata no. 1 (perf. ’11, ’12)
I. Adagio con moto IIa. Allegro moderato IIb. “In the Inn” Allegro III. Largo IVa. [really fast] IVb. Allegro V. Andante maestoso

Sonata no. 2 “Concord., Mass., 1840-1860” (perf. ’94)
I. Emerson II. Hawthorne III. The Alcotts IV. Thoreau

Ragtime Dance no. 2 (same as Piano Sonata no. 1 mvt. IIa and IIb) (perf. ’11)
Ragtime Dance no. 4 (same as Piano Sonata no. 1 mvt. IVa and IVb) (perf. ’11, ’12)

Ulysses Kay (1917-1995)

Partita for Violin and Piano (perf. ’24)
I. Prelude II. Burlesca III. Interlude IV. Echo

Edward MacDowell (1860-1908)

Of Salamanders, from Fireside Tales op. 61 (perf. ’22, 23)
“Wilde Jagd” from 12 Virtuoso Etudes op. 46 (perf. ’22, 23)

Robert Maggio (b. 1964)

love bird (2006) (perf. ’07)

Allen McCullough (b. 1978)

Piano Concerto no. 1 (2009) (read ’09 with Curtis Orchestra, premiere)
II. Slowly III. Fast and Mysterious

Piano Sonata no. 2 (perf. ’17, premiere)

Michael McMillan

forgetting how I began, or how to begin (2014, premiere)

Matthew Monticchio (b. 1975)

Sonata One for Piano (2002) (perf. ’03 premiere, ’04, ’05)
I. fast flights (quarter=75+) II. quarter=45-50

Conlon Nancarrow (1912-1997)

Two Canons for Ursula
no. 2 in 2/3 time (perf. ’08, ’09, ’11, ’16, ’17)

Larry Nelson (b. 1944)

Music of Twelve Centers (1979) (selections) (perf. ’07)
no. 1 in B-flat
no. 5/6 in D/A-flat
no. 8 in D-flat
no. 10 in G
no. 12 in B

Jay Reise (b. 1950)

The Devil in the Flesh, Six Character Pieces (selections) (perf. ’07)
no. 3, “Night falls raining”
no. 6, “The madwoman on the roof”

Yellowstone Rhythms for saxophone and piano (perf. ’12)

Flight of the Red Sea Swallow for flute and piano (perf. ’13)

Trio Rhythmikosmos for piano trio (perf. ’15)

Pinchas (Paul) Schoenfeld (b. 1947)

Peccadilloes (perf. ’20, ’23)
Allemande – Fughetto – Rag – Waltz – Shuffle – Boogie

Matthew Schreibeis (b. 1978)

In Search of Planet X for piano, violin and clarinet (perf. ’13, premiere)

Haskell Small (b. 1948)

A Game of Go for two pianos and audio-visual display (perf. ’09 with the composer)

Roberto Sierra (b. 1953)

Suite de Canziones y Danzas for cello and piano (perf. ’14, ’20)
Preludio – Canzion Triste – Danza Rapida – Cancion de Amor – Danza Final

Sonata no. 1 for cello and piano (perf. ’14, ’15)
Con pasion – Inquieto – Veloz

Sonata no. 2 for cello and piano (perf. ’15)

Salsa for cello and piano (perf. ’15)

Tres montunos para cello y piano preparada (perf. ’16, premiere)

12 Estudios rítmicos y sonoros (perf. ’21, complete, premiere, ’22, ’23)

12 Estudios de ejecución trascendental (despues de una lectura de Liszt) (nos. 1, 2, 3, 5, 7, 8, 9, 11) (perf. ’22, ’23)

Piezas Liricas (perf. ’21, complete, premiere)

Album for the Young (complete)

Cuatro piezas para cello y piano (perf. ’23)
Luminoso – Profundo – Veloz – Precipitado

Piano Sonata no. 13 (perf. ’23, premiere)

David Bennett Thomas (b. 1969)

Piano Sonata no. 2 (2004) (perf. ’04 premiere, ’05)

Five Etudes (2006) (perf. ’07 as a set, premiere)
no. 1, “Study in Fourths”
no. 2, “For RCS” (perf. ’06)
no. 3, “Wind Etude” (perf. ’06)
no. 4, Intermezzo
no. 5, “Ridl-Etude”

Conundrum for two pianos (recorded)

Duo for cello and piano (perf. ’11, recorded)
I. Slow/Fast II. Sustained III. Scurrying

Ron Thomas (b. 1942)

Six Pieces for Piano (1992-99) (perf. ’05, ’18)

Dmitri Tymoczko (b. 1969)

Piano Quintet no. 2 S Sensation Something (perf. ’15 with Amernet String Quartet)

Melinda Wagner (b. 1957)

Noggin (2013)
I. Alarum II. Transit III. Lush Light IV. Re-uptake

George Walker (1922-2018)

Piano Sonata no. 2 (perf. ’22)
I. Adagio non troppo II. Presto III. Adagio IV. Allegretto tranquillo

Piano Sonata no. 5 (2003) (perf. ’20, ’22)

Cello Sonata (perf. ’22, ’23)
I. Allegro passionato II. Sostenuto III. Allegro

Anna Weesner (b. 1965)

Etude (2000) (perf. ’06, premiere, ’07)

What gathers, what lingers for violin and piano (perf. ’07)

Trio (2008) (perf. ’08)

Ricardo Zohn-Muldoon (b. 1962)

Candelabra for cello and piano (perf. ’15)

Other Music of the Early Twentieth Century

Bela Bartók (1881-1945)

Sonata for Piano (perf. ’96)
I. Allegro moderato II. Sostenuto e pesante III. Allegro molto

Sonata for Violin and Piano no. 2 (perf. ’09)
I. Molto moderato II. Allegretto

“Out of Doors” Suite (perf. ’01, ’03)
With fife and drums – Barcarolle – Musettes – The Night’s Music (perf. ’10) – Chase

Hungarian Folk Dances
Joc cu bata – Braul – Pe Loc – Buciumeana – Poarca Romaneasca – Maruntel

Ernest Bloch (1880-1959)

Scenes from Jewish Life, for cello and piano (perf. ’14)
Prayer – Supplication – Jewish Song

Nigun, for violin and piano (perf. ’14)

Benjamin Britten (1913-1976)

Suite op. 6 for violin and piano (perf. ’19)
March – Lullaby – Waltz

Manuel de Falla (1876-1946)

Danza de la moliniera, from La sombrero de tres picos (perf. ’12)

Ritual Fire Dance for piano four hands (arr. Abramovic) (perf. ’12)

Paul Hindemith (1895-1963)

Sonata no. 3 in B-flat (perf. ’03, ’04)
I. Ruhig bewegt II. Sehr lebhaft III. Mässig schnell IV. Lebhaft

Ragtime, from Suite 1922 (perf. ’11)

Oboe Sonata (perf. ’04)
I. Munter II. Sehr langsam. Lebhaft

Joseph Marx (1882-1964)

Frühlingssonate for violin and piano (perf. ’22, ’24)
I. Allegretto espressivo II. Allegretto (im Serenadenton) III. Moderato

Federico Mompou (1893-1987)

Cants mágics (perf. ’09, ’10)
I. Energic II. Obscur III. Profond – lent IV. Misteriós V. Calma

Cancion y Danza no. 7 (perf. ’13, ’14)

Arnold Schönberg (1874-1951)

Drei Klavierstücke, op. 11 (perf. ’97, ’04, ’14)

Sechs Kleine Klavierstücke, op. 19 (perf. ’96)

Karol Szymanowski (1882-1937)

Études op. 4 (complete)
no. 1 in E-flat minor (perf. ’97, ’02, ’05, ’06, ’12, ’13, ’18)
no. 2 in G-flat major (perf. ’02, ’03, ’12, ’13)
no. 3 in B-flat minor (perf. ’03, ’06, ’13, ’19)
no. 4 in C major (perf. ’02, ’03, ’13)

Sonata in D minor, op. 9, for Violin and Piano (perf. ’02, ’03, ’06,’12, ’13, ’18, ’19)
I. Allegro moderato. Patetico II. Andantino tranquillo e dolce III. Allegro molto, quasi presto

Piano Sonata no. 2 in A major, op. 21
I. Allegro assai. Molto appassionato (perf. ’18)

Romance in D major, for Violin and Piano, op. 23 (perf. ’03, ’12, ’18)

Notturno e Tarantella, for Violin and Piano, op. 28 (perf. ’02, ’03, ’12)

Métopes, op. 29 (complete) (perf. ’96, ’02, ’08, ’13)
L’Île des Sirènes (perf. ’16, ’18, ’23)
Calypso
Nausicaä

Mythes, op. 30 for Violin and Piano (perf. ’99, ’02, ’03, ’06, ’12, ’13, ’19)
La Fontaine d’Arethuse
Narcisse
Dryades et Pan

Masques, op. 34 (perf. ’03, ’11, ’12, ’13)
Sheherazade (perf. ’04, ’16)
Tantris the Clown
Don Juan Serenade

Twenty Mazurkas, op. 50 (complete)
no. 1 (perf. ’01, ’02)
no. 2 (perf. ’97, ’02)
no. 3 (perf. ’97, ’99, ’02)
no. 4 (perf. ’01, ’02)
no. 5 (perf. ’01, ’02, ’05, ’12, ’16)
no. 6 (perf. ’01, ’02, ’05, ’12, ’16)
no. 7 (perf. ’02)
no. 8 (perf. ’01, ’02, ’03)
no. 9 (perf. ’01, ’02, ’19)
no. 10 (perf. ’99, ’01, ’02, ’03, ’06, ’19)
no. 11 (perf. ’01, ’02)
no. 12 (perf. ’01, ’02)
no. 13 (perf. ’01, ’02, ’06, ’07, ’18)
no. 14 (perf. ’01, ’02, ’03, ’06, ’07, ’18)
no. 15 (perf. ’01, ’02, ’03, ’06)
no. 16 (perf. ’01, ’02, ’03, ’06)
no. 17 (perf. ’01, ’02, ’03)
no. 18 (perf. ’97, ’02, ’03)
no. 19 (perf. ’02, ’03)
no. 20 (perf. ’99, ’02, ’03)

Oberek from Four Polish Dances (perf. ’06, ’07, ’12, ’13)

Two Mazurkas, op. 62 (complete) (perf. ’01, ’02, ’03, ’12, ’16)

Dawn for violin and piano, violin part by Pawel Kochanski. (perf. ’12, ’18)

Wild Dance for violin and piano, violin part by Pawel Kochanski. (perf. ’12, ’18)

Roxane’s Song for violin and piano, arr. Pawel Kochanski. (perf. ’06, ’12, ’18)

Harnasie Dance for violin and piano, arr. Pawel Kochanski. (perf. ’06, ’12, ’13, ’18)

Joaquin Turina (1882-1949)

Trio no. 2 in B minor, op. 76 (perf. ’06)
I. Lento – Allegro molto moderato II. Molto vivace III. Lento – Andante mosso

Circulo, op. 91 (perf. ’07)
Amanecer – Mediodia – Crepuscolo

Anton Webern (1883-1945)

Four Pieces op. 7 for violin and piano (perf. ’16, ’18)

Three Pieces op. 11 for cello and piano (perf. ’16, ’18)

Music Composed Since 1945

Please see also American repertoire and French repertoire.

Grazyna Bacewicz (1909-1969)

Oberek no. 1 for Violin and Piano (perf. ’19)
Oberek no. 2 for Violin and Piano (perf. ’19)

Luciano Berio (1925-2003)

Encores (complete)
Brin (1990) (perf. ’05)
Leaf (1990) (perf. ’05)
Wasserklavier (1965) (perf. ’03, ’04, ’05, ’16)
Erdenklavier (1969) (perf. ’03, ’04, ’05, ’08, ’09, ’14, ’16)
Luftklavier (1985) (perf. ’03, ’04, ’05, ’08, ’09, ’14, ’16)
Feuerklavier (1989) (perf. ’03, ’04, ’05, ’16)

Marcus Blunt (b. 1947)

Fantasy on GABRiEL FAURE (perf. ’18)

Malta Nocturne (perf. ’18)

November Nocturne (perf. ’18)

Benjamin Britten (1913-1976)

Sonata for Cello and Piano in C, op. 65 (1961) (perf. ’13)
Dialogo: Allegro
Scherzo: Pizzicato
Elegia: Lento
Marcia: Energico
Moto Perpetuo: Presto

Qigang Chen (b. 1951)

Instants d’un Opera de Pékin (perf. ’04)

Thierry Escaich (b. 1965)

Choral’s Dream for piano and organ

Alberto Ginastera (1916-1983)

Sonata no. 1 (perf. ’91)
I. Allegro marcato II. Presto misterioso III. Adagio molto appassionato IV. Ruvido ed ostinato

Sonata no. 3 (perf. ’09, ’10)

Jonathan Harvey (b. 1939)

Nataraja for Flute and Piano (perf. ’03)

Toshio Hosokawa (b. 1955)

Nacht Klänge (1994-96) (perf. ’03, ’05)

Sebastian Huydts (b. 1966)

Divertimento after F.J. Haydn’s “Divertimento per il Cembalo Solo” op. 56 no. 3 in E minor (perf. ’21, ’22)

I. Allegro II. Adagio III. Finale. All’Ongarese

Miklós Kocsár (1933-2019)

Rapsodia for trombone, piano, and percussion (perf. ’21)

György Kurtág (b. 1926)

Tre Pezzi per violino e pianoforte, op. 14e (perf. ’09)

György Ligeti (1923-2006)

Études for Piano
Book One, complete (1985):
no. 1, “Désordre” (perf. ’05, ’06)
no. 2, “Cordes à vides” (perf. ’05)
no. 3, “Touches Bloquées” (perf. ’98, ’99, ’05)
no. 4, “Fanfares” (perf. ’08, ’09)
no. 5, “Arc-en-ciel” (perf. ’98, ’99, ’08, ’09, ’16)
no. 6, “Automne à Varsovie” (perf. ’05, ’06, ’08, ’09, ’16)

from Book Two (1988-94):
no. 8, “Fem”(perf. ’16)

no. 10, “Der Zauberlehrling” (perf. ’98, ’99, ’02, ’04, ’05, ’06)
no. 11, “En Suspens” (perf. ’98, ’99, ’02, ’05, ’06)
no. 13, “L’escalier du diable” (perf. ’07, ’08)

Five Pieces for Piano Four Hands (perf. ’09)
March
Polyphonic Etude
Three Wedding Dances
Sonatina
Allegro

Witold Lutoslawski (1913-1994)

Two Etudes for Piano (perf. ’13)

Grave: Metamorphoses for Cello and Piano (perf. ’03)

Subito, for Violin and Piano (perf. ’13, perf. ’19)

Recitativo e Arioso for Violin and Piano (perf. ’13)

Toru Takemitsu (1930-1996)

Les yeux clos II (1988) (perf. ’05, ’09, ’16)

Rain Tree Sketch no. 2 (1992)

Guido van der Werve (b. 1980)

Nummer twaalf: Chess Piano Concert in Three Movements (perf. ’11)